Get ready for a gospel extravaganza like no other! Zimbabwe's Janet Manyowa is pulling out all the stops for her annual A Night Of Thanksgiving (ANOT) concert, and this year's lineup is nothing short of spectacular. But here's where it gets even more exciting: she's not just bringing together any artists—she's gathering the absolute titans of gospel music, both legendary veterans and rising stars, to kick off the New Year with a bang. Held at the prestigious Harare International Conference Centre (HICC) on January 1st, ANOT has become a cherished tradition, marking the start of the year with worship, reflection, and gratitude.
This year's edition, themed 'Overflow,' promises to be a transformative experience. But here's the part most people miss: it's not just about the music; it's about creating a space where hearts unite in thanksgiving, allowing praise to spill over into every corner of our lives. ANOT director Munyaradzi Manyowa explains, 'Each year, ANOT reminds us that gratitude multiplies when we come together in worship. This time, we feel God is calling us to dive deeper into renewal and appreciation.'
The lineup is a who's who of gospel greatness. Nigerian powerhouse Ada Ehi, Zimbabwe's own Takesure Zamar Ncube, Everton Mlalazi, Xolly Mncwango, Joyful Praise, The Unveiled, and the iconic duo Charles and Olivia Charamba are just a few of the names set to grace the stage. And this is where it gets controversial: with such a diverse mix of artists, could this be the year that ANOT redefines the boundaries of gospel music? Will traditional hymns blend seamlessly with contemporary beats, or will it spark debates about the genre's evolution?
Tickets are flying off the shelves, with the first batch already sold out—a testament to Manyowa's reputation for hosting unforgettable, sold-out events. As ANOT 2026 approaches, one thing is clear: this isn't just a concert; it's a movement. It's a call to reflect, to worship, and to step into the New Year with hearts overflowing with gratitude.
But we want to hear from you: What does 'overflowing gratitude' mean to you? Do you think gospel music should stick to its roots, or embrace modern influences? Share your thoughts in the comments—let's keep the conversation going!
